Book reveals how popular media consumption and biological knowledge production have converged in molecular animations—computer simulations of molecular and cellular processes that immerse viewers in the temporal unfolding of molecular worlds—to produce new regimes of seeing and knowing.
Book is a contribution to the transdisciplinary field of critical design studies. The essays in this collection locate design at the center of a series of interrelated planetary crises, from climate change, nuclear war, and racial and geopolitical violence to education, computational culture, and the loss of the commons. In doing so, the essays propose a range of needed interventions in order to transform design itself and its role within the shifting realities of a planetary crisis.
Journal publishes research in theoretical humanities, which represents the productive nexus of work in literary criticism and theory, philosophy, and cultural studies.
In publication continuously since 1971, SubStance is a major interdisciplinary journal with a reputation for excellence. It is an international nexus for discourses converging upon literature from a variety of fields, including philosophy, the social science, science, and the arts. Readers have come to expect the unexpected from SubStance, and to experience a sense of participating in the formulation of emerging theories.
Advances an innovative and interdisciplinary dialogue with the philosophy of Alfred North Whitehead. Once largely ignored, the speculative philosophy of Alfred North Whitehead has assumed a new prominence in contemporary theory across the humanities and social sciences. The Lure of Whitehead offers readers not only a comprehensive introduction to Whitehead’s philosophy but also a demonstration of how his work advances our emerging understanding of life in the posthuman epoch.
are built around special-edited thematic clusters and invited contributions. Each is edited by one or several members of the editorial collective or by invited external editors working in consultation with the editorial collective. Unsolicited contributions are also welcome, and if accepted may be included in the thematic "Node" or the interlinked "Tangents" section.